![f harmonic minor f harmonic minor](https://www.8notes.com/scales/images/Fminor.gif)
Always! For example, if you see a stick on the ground, and it has a major 3rd, it's a major stick. In diatonic music, the third always determines whether something is major or minor. again, either major or minor, depending exclusively on the type of third they have.
![f harmonic minor f harmonic minor](http://www.piano-keyboard-guide.com/wp-content/uploads/2015/04/f-harmonic-minor-scale-on-piano.png)
And there are scales that also have a larger-than-normal interval in the 1st half of the scale (ie: in both tetrachords), which are therefore called "Double-Harmonic" scales. then it'll be a called (some sort of) harmonic major scale. Not necessarily "harmonic minor" mind-you! Just harmonic. The normal flatted 6th, next to the unusual (for minor) major 7th, creates an unusually large 1 1/2 semitone interval (in the second half of the scale, aka 2nd tetrachord). (Or instead of the A,B,C,D,E,F,G of A minor, the A Harmonic Minor scale is A,B,C,D,E,F,G♯) And when there are lots of small ones (like the chromatic scale) they can contain more.īut when one simply refers to just "the harmonic minor scale" (as this question did), of the many possibilities, it's generally understood to mean the slight modification to the pattern of intervals of the natural minor scale (aka Aeolian mode of the Major scale), where the normally-flatted 7th is left major. With too many big ones, then fewer notes (than the standard 7) can fit in the scale. For some scales have larger intervals between some of their member notes (aka degrees). (And the fact of these two types of standard-sized building-block intervals, is why such music is called "diatonic".) But some scales break this. Standard 'diatonic' scales are collections of notes with either "tones" (aka "whole-steps") or "semitones" (aka half steps") in-between them. (The 2nd, 4th and 5th generally serve other functions.) If the scale (or chord) has neither (or both) it is ambiguously-hard to say whether it's major of minor, although the nature can be suggested (and/or indirectly stated) by the kinds of 6ths and 7ths which may be present. (Because it's the 6th mode of the diatonic major scale, but no need to get into that now.) In addition to the mandatory flatted (or "minor") 3rd, it also has its 6th and 7th degrees flatted by a half-step as well.īut whether it is minor or major is only based on whether there's a note a step-and-a half up from the root, or if there is one, two whole steps up from the root, respectively. Now when someone refers to a scale just as a "minor" scale, it's assumed they mean the "Natural Minor" scale. But their names and definitions are the same (as long as all the notes, have basically the same relationship with the tonic/root/reference). These are called inversions, and they can sound slightly different. no matter what key they're in (The notes in chords may be in different orders. If the collection of notes are spaced the same (relative to the reference note), then the scale and/or chord is the same kind. In other words, they're just collections of -spaces- in between notes, relative to a given reference (aka 'tonic' for scales, 'root' for chords). Similarly, scales (and chords, which are simultaneously-played subsets of scales) are just collections of intervals. at least not as far as their definitions are concerned.)
![f harmonic minor f harmonic minor](https://i.ytimg.com/vi/6SGS0iTbIC0/maxresdefault.jpg)
And it makes no difference at all who makes them. 6, and the third mode of the C harmonic minor is Ionian ♯5.It's like asking if a Ford automobile is the same as a Ford car? Every car is an automobile. However, they are derived from the modes of the Harmonic Minor, meaning the second mode of the C harmonic minor is D Locrian Nat. On this page, the 7 modes of the harmonic minor scale are presented as if they are all separate scales (beginning on C). This will help you master the harmonic minor scales. So learn all of the patterns, and practice them as relative to each other, for instance F harmonic minor, A Locrian natural 6, going all the way up the neck. Here is the C altered natural 6, the last mode. Here is the Lydian sharp 9, the sixth mode.
![f harmonic minor f harmonic minor](https://www.guitarscale.org/images/f_minor_harmonic.png)
Here is the C Mixolydian flat 9 flat 13, sometimes also called the Phrygian dominant, the fifth mode. Here is the C Dorian sharp 4, the fourth mode. Here is the C Ionion sharp 5, the third mode. Here is the C Locrian natural 6, the second mode. Here are the modes, beginning with Harmonic Minor pattern. But in this case, we're going to play them all on the same fret on the VIII fret. We're going to play all patterns from C but it's also a great idea to play them all in the key of the same harmonic minor mode: for instance, you could playing F harmonic minor and then playing A Locrian natural 6. We're going to talk about the harmonic minor, and the six modes that can be built from it.